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Sirius Arts Exhibition: Samir Mahmood – Symplegmatic Portals

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Samir Mahmood is a Pakistani artist based in Dublin. In his country of origin, Mahmood trained as a medical doctor, and he immigrated to Ireland in 2008 to undertake further studies in the field. But he abandoned this career to pursue art, and has been working as an artist in Ireland since the mid-2010s. The exhibition Symplegmatic Portals features numerous newly created works alongside an extensive selection of works made between 2017 and 2024. It is the largest presentation of the artist’s work to date.Symplegmatic Portals is produced by SIRIUS and curated by Miguel Amado, Director.
LAUNCH EVENT

SIRIUS
Saturday, 12 July
2-4pm
Free; no booking required

Samir Mahmood in conversation with Seán Kissane, moderated by Miguel Amado

Samir Mahmood and Seán Kissane, Curator at the Irish Museum of Modern Art, discuss the exhibition’s vision, key works on display, the politics and aesthetics informing Mahmood’s practice and his wider artistic intentions.

Accessibility Note
Our building has accessibility limitations. There are three steps to the front door and a temporary wheelchair ramp is available upon request. Elements of this exhibition are accessed via stairs. Our toilets are also accessed via stairs and are not open to visitors. Public toilets are beside the Titanic Experience, on The Promenade.
 
Samir Mahmood, Metamorphia, 2017. Courtesy of the artist
Samir Mahmood’s practice encompasses painting, textiles, objects and video, with a particular focus on themes of identity, representation, bodily awareness and spiritual transformation. Specifically, he makes large-scale scrolls and small-format paintings. Both draw from the techniques and materials of miniature painting on the Indian subcontinent – for example rich detail, intricate storytelling and the use of wasli, a specific type of handmade paper, as a substrate. The typical imagery features landscapes or scenes of people that indicate power relations and structures, wildlife or mythology. Mahmood subverts all of this through motifs that explore his lived experience as a queer person with an Islamic upbringing.

Mahmood is influenced by multiple intellectual and visual references: Sufism (a chapter of Islam) and Christianity; the writings of the fourteenth-century Persian poet Hafez; architecture, ritual objects and practices, ceremonies, mysticism, folklore and iconographies from the Indian subcontinent and/or Islam; alternative theories of consciousness; and narratives of queer existence.

Mahmood depicts the male form in states of introspection or conviviality. Figures appear within or surrounded by nature – trees, vegetation, water, mountains and more – in varying expressions of intimacy. In addition, he shows figures in dialogue with sites of politics, including courthouses and administrative chambers, which suggest conservative customs and values. In the work, these bodies undergo a transcendence that speaks to a personal transformative potential, representing a union with the divine or, more broadly, a spiritual awakening, as well as a subversion of normative lifestyles.

A key feature of the exhibition is the series of large-scale scrolls portraying joyous celebrations of sexual freedom, and the garden as a symbol of paradise and utopia across religions. The artist calls these works ‘queerscapes’ – spaces of liberation where bodies are interacting, mutating, coalescing.

The title of the exhibition invokes yet more of Mahmood’s key interests. ‘Symplegma’ can mean renderings of sexual intercourse, composite drawings in miniature painting from the Indian subcontinent or anything that is entwined or entangled. Overall, these interpretations speak to the artist’s embrace of hybridity, especially gender indeterminacy and fluidity, as well as his own blended cultural experiences.


Samir Mahmood lives and works in Dublin, where he operates from Fire Station Artist’s Studios. He has held a solo show at Mart Gallery, Dublin, and has participated in group shows in venues such as the Irish Museum of Modern Art, Dublin; Pallas Projects/Studios, Dublin; and The Glucksman, Cork. He holds a BA in Art from the Atlantic Technological University, Galway. His work is in the collection of University College Cork. He received awards from the Arts Council, including the Next Generation, Bursary and Agility. 
 
Samir Mahmood, Tongue of the Invisible Mysteries I, 2024. Installation view, Staying with the Trouble, Irish Museum of Modern Art, Dublin, 2025. Photograph: Ros Kavanagh. Courtesy of the artist and the Irish Museum of Modern Art
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